URBAN GENESIS AT CHACO: Case Study of the Origin of Civilizations. Chapters: 1 2 3 4 5 6

5.1: Development of the Canyonwide Complex

"Downtown" Chaco: central group of Great-Houses
The location of new public buildings over time shows the increasing importance of sight lines, visual interrelationships, and dramatic effect as criteria in site selection. The scale at which these factors were considered also increased over time. Lastly, the relationship of sight lines and building orientations to solar and lunar motion suggests that Chacoans were designing their public architecture in the context of sacred time and space as well. For further reading on sightlines and axial relationships see Windes (1978) and Fritz (1978); for celestial alignments see Sofaer, Marshall and Sofaer, and Sinclair and Sofaer. For earthworks and roads see Powers et al (1983), Marshall and Stein (1979).
The Chaco culture could never mobilize sufficient amounts of material and labor to create buildings on a scale comparable to the canyon, nor did they need to. The landscape itself was architectural space, and the Chacoans designed and redesigned the canyon by defining the way that residents and visitors would perceive and interpret that landscape. This definition was achieved, firstly, by the visual relationship of nodes and landmarks of the site; secondly, by the framework of movement within the canyon; and most likely by a third means as well: the timing of movement around the canyon.

As one moves about in the canyon vicinity, the cliffs obstruct and reveal certain views. The approach to the canyon from the north is addressed 5.3: Pueblo Alto. From the center of the canyon--the vicinity of Pueblo Bonito, Chetro Ketl, Pueblo del Arroyo, and Kin Kletso--one cannot see Pueblo Alto on the mesa-top above. Fajada Butte is also concealed by the spurs of South Mesa. However, one can see the two Great Kivas: Casa Rinconada on the south side of the canyon, and Kin Nahasbas at the east end of the canyon. The next sections in this chapter examine the influences of visual sequences and relationships in the location of Great-Houses.

Previous © 2000-3 Pietro Calogero. Based on U.C. Berkeley Planning Master's Thesis, May 1994. Next