Dear Nadia,
Wonderful to talk to you yesterday. In this email you will find the Objective
Statement and my resume. I have included them in the body of the email to avoid
any glitches that might occur with attachments.
I am very excited about doing long-term development work with Afghans. I was
referred to the Coalition by my longtime friens Sheraga Gulshan Raz and his
son Khalid Raz. I first met them in 1987 or 1988, while I was majoring in geography
at U.C., and they were running an import store (Khyber Pass) in Berkeley. Sheraga's
lamentations about Afghanistan will always be with me; he knew that if the people
of Afghanistan could just get enough breathing room and a reprieve from warfare,
they could assemble a Loya Jurga, reestablish a government that represented
all the ethnicities in the country, and reestablish civil society. He described
to me what Afghanistan was like before 1979, and hoped that the country could
at least return to that social condition. But that was 1988; and Afghanistan
was only nine years into an upheaval that may not be over yet. Now there is
an entire generation in the country that has known only war, uncertainty, famine,
and violence.
In 1989 I went back to grad school in architecture, eventually completing a
Master of Architecture and a Master of City and Regional Planning by 1994. It
took longer because I came to architecture 'from the outside,' as an urban geographer.
I soon discovered that, indeed, I did not conform to the culture of architects:
I wanted to do low-income housing, most of my classmates wanted to win awards
and build beautiful, sculptural, abstract buildings that I could not imagine
financing. Fortunately there are professors in architecture who teach social-justice
issues, and I was able to study with two of them: Sandy Hirshen introduced me
to handicap accessibility in design, and Nezar Alsayyad taught me about the
successes and failures in housing policy, and about urbanism in the Islamic
world.
The lessons Nezar taught me about failures in international development have
influenced my thinking in many ways. For one, I am strongly inclined to work
for people from the region where I will do work. In fact I am a little nervous
about working in Afghanistan without knowing Dari or Pashto, because I will
only be able to communicate with English-speaking Afghans, who are likely to
be upper-class. They are probably the only people who have the resources to
get projects going, but I am still uncomfortable about not being able to do
a reality check with the general Afghan public.
A second lesson I learned from Nezar is to avoid going into a different culture
with a fixed ideology or ideal about 'what should be done.' That mistake was
made hundreds of times in the 20th century. And yet, it is a mistake that architects
should not make, because a core part of the profession is to serve your clients,
respond to their needs, and understand those needs. The only time an architect
should propose something different is when they listen and observe a client's
needs closely, and perceive something that the client did not. This happens
because an architect is part of the building industry, and has accumulated comparative
knowledge. But that is a far cry from declaring that everyone should live in
high-rise towers because they look impressive and 'modern!'
With the above qualifications in mind, I do have a few preconceptions that
should be stated up front:
1. I believe that Kabul, and to some degree Mazar, Herat, and Qandhar will all
grow very rapidly as international refugees return and as internal refugees
flee drought and a collapsing rural economy. My guess is that Kabul will quadruple
in population in the next eight years.
2. The government should plan for this expansion by facilitating the traditional
pattern of growth in the region: groups will probably settle/camp/squat together
in an area and form new neighborhoods in which all the people come from one
region or at least one tribe. They will take care of building their own houses,
over time; no-one needs to come in as as volunteers nor as professionals to
help them build housing. What the government will need to do is provide infrastructure
and some control over land division to ensure that the street system will function
over the long term and accomodate the next expansion beyond. In time, and with
the help of the residents, the city can provide water, trash collection, policing,
sewers, schools and clinics. I think the mosque will normally be the symbolic
core of the community, but it can begin with an open area and a quibla wall.
3. I believe the government should not attempt public housing and should promote
low-rise designs that respond, as traditional houses do, to the climate, the
family structure, the privacy/modesty values, and the earthquakes. As an Uzbek
once told me years ago, 'in an earthquake, an old house may fall down, but I
can just run outside into the courtyard or the street. If I am on the tenth
floor of a high-rise, where will I go?'
4. The promotion of civil society is one of the best long-term strategies for
economic growth. Fortunately civility is already part of Afghan culture; with
Americans this is a more difficult task since our culture is less polite. An
essential part of civil society is a clear, straghtforward civil code that is
intuitive for the entire population. For that reason it should clearly derive
from the Holy Qu'ran and the stronger Hadith. It is certainly worth looking
at other civil codes (such as California's) to find comparative models for regulation
of a heavily-industrialized region that has accommodated enormous growth in
wealth, population, and diversity; but the code must make sense to the people
who are using it and governed by it. I know that Switzerland reviewed and adopted
some of the California code about a century ago, and that many Afghans, especially
professionals, live in California, and as professionals they have worked with
elements of the State codes for years. Therefore I cite it as a comparative
example that Afghans may want to review, critically.
5. I like traditional Central Asian architecture, and if Afghans rebuild their
cities to look traditional, I know it will help the tourist industry in the
long term. But I am uncomfortable with 'traditionalism' as well. 150 years ago
no-one worried about the authenticity of building types and designs. Therefore
they were more free to adopt new building techniques, materials, and building
types without feeling as though they were abandoning their cultural identity.
Perhaps a good example for the future is what you see on the outskirts of Cairo:
adobe houses with satellite dishes on top; Egyptians living in homes similar
to the ones they have built for 4000 years and conversant in the latest news
and issues broadcast on AlGezira and CNN. The anecdote is cute, but the lesson
is more profound: we may need to set aside the Modernity/Traditionalist dialectical
model and just let people live and change as people always have. 6. As for change,
here is one example: should we look at ways of incorporating the Americans with
Disabilities Act (ADA) into Afghan building and planning policies? ADA began
as the Veteran's Recovery Act (1973) to help Vietnam Veterans who had lost limbs
in the war. What started as a few rules to accommodate wheelchair-users now
ranges from doorknob design to site planning. Afghans may find these design
ideas even more applicable than Americans do.
Another example: could Afghans and Iranians in the Bay Area compile versions
of Linux that run native in Farsi and Pashto, including basic word-processing,
spreadsheet, and database programs? The software could be smaller and simpler
than contemporary commercial software, so that it runs on older computers that
Bay Area companies and citizens could donate.
A third example: can Afghans establish intellectual/copyright protections over
some of their designs, such as carpet patterns that are known to come from specific
villages or regions?
So! Sorry for the length of the email, but hopefully it will be useful for
others who have not met me and want to know something about my attitudes before
we meet. I am copying this to Doctors Momand and Younos, and to my brother with
whom this is part of a long dialogue.
Perhaps soon we will be able to discuss other issues: my wife is an actor (played
Doll Tearsheet in SF Shakes' productions of Henry IV two years ago) and I met
her while I was putting together a Commedia production for the SF Fringe Festival
in 1997. Like you I have run out of time to act or even make masks, but if we
spent any length of time in Afghanistan, Lizzie might want to do some acting
there, if it is feasible.
Below please find a resume and object statement.
Content written by Pietro: Copyright © 2002 Pietro
Calogero.
Correspondence from others used with permission and all rights remain with
each respective author.